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About this guide
What's covered and why

A brief history of ambient
From Satie to techno

About the author
Mike Watson aka Mike G

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"I'll play it first and tell you what it is later." - Miles Davis

 

AmbientMusicGuide.com started life in 1992 as a reference book manuscript.

In 2001 it became a website, in retrospect one of my better life choices.

The years of accumulated grief from shopping it around unsympathetic publishers soon disappeared as the site gained a following and allowed me to grow and revise the content as the years passed.

The site remains non-commercial and fully independent - my aim has always been to educate and turn people on to good music. The focus is on reviews of great essential contemporary ambient, instrumental and downtempo albums spanning the 1960’s through to the present day.

The art of the album

If you're old enough to remember dull-sounding cassettes and crackly vinyl records, you would appreciate that the arrival of digital recording via compact disc in the 1980's truly liberated the ambient zone. Quiet passages can be heard in pristine sound quality and free of crackles and hiss; sound effects and deep bass are reproduced in all their dynamic glory; and with a length of up to 80 minutes per disc the format is ideal for extended compositions and uninterrupted listening.

Now in the 21st century the game has changed again: the advent of digital downloads via the internet threatens to redefine the actual concept of the album itself, with customers often free to pick and choose what individual tracks they want to purchase. For now, however, the album format - whether on CD or in download form - remains the prime vehicle of artistic expression in the ambient and downtempo worlds. It remains this site's exclusive focus.

What I've covered and why

This website is an ongoing project, but "ambient and downtempo" is a broad church and I want to stress that this guide is not and never will be comprehensive.

In the early 90's when I began this project it started in that direction but within a few years I realised the impossibility of the task, whether laboured over by one writer or ten. An attempt at comprehensiveness is fraught with problems. With music that is so wilfully eclectic, just how far do you extend into jazz? Into rock? Into dance music?

Instead, this guide concentrates on a more selective but still wide range of ambient and downtempo releases and artists that I think are fantastic and worthy of discovery. There are usually no complete discographies, except on rare occasions where every release by an artist, series or label happens to float my boat.

Some readers will no doubt find omissions of recordings they feel should have been included; others may disagree with certain inclusions. While I try to bring a certain objectivity to my writing, AmbientMusicGuide.com is ultimately my personal view of music. It is not overseen by an editor or publisher so please don't complain too loudly of perceived prejudices and biases, because what you see is what you get.

I am not a fan, for example, of much of the dissonant music labeled dark ambient, and I've ingested more than enough of it in my lifetime to know it's not a viewpoint simply born of ignorance. Just as music that's all sweetness and light bores me, an entire album of dissonance and atonality is enough to make me suicidal. It may be intelligent music and have my respect, but to qualify for AMG coverage it needs more than my respect; it also needs my love. And as you read through the reviews you'll see that I do indeed love some music that falls within the dark ambient subgenre.

What I hope you will also find here at AMG is depth and breadth of coverage. In addition to album recommendations I've also provided a deeper, historical perspective on many of the most significant and influential artists. Points are further illustrated with quotes from artist interviews done over the years by both myself and other sources.

A definition of ambient & downtempo music

Finally, while keeping in mind that I believe a single definition of ambient to be useless, it seems wise to state some of the common features of the ambient and downtempo recordings I've reviewed. In these pages you'll find music distinguished by some or all of the following traits:

  • It's subtle in its forms and invites close listener attention even if it also works well as background.
  • It doesn't fit easily - or at all - into the mainstream classifications of rock, dance, folk, classical or jazz, and has been misunderstood or at worst ignored by music journalists and reference works in those genres.
  • It's often instrumental, and when vocal it usually emphasises the timbrel qualities of voice rather than actual lyrics.
  • Thanks to jet age travel, the internet and the development of the synthesiser and studio technology this music can offer us musical meetings unheard of before the second half of the 20th Century.

Take a journey

If this guide leads you down even just one musical path previously unexplored, I feel it has succeeded. That path will hopefully lead you down many more. In it's melding, crossing and subverting of genres the ambient and downtempo universe is mind-bogglingly vast. And with the advent of global on-line CD retailing and audio downloads such music is now easy to buy wherever you live on the planet.

American composer Philip Glass once said that “one of the most exciting things you could do is discover the art of your own time”. In these pages there is much to discover, and much that is artful.

All you need is ears and an open mind....

 

 

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  All written content on this webisite is copyright 1992-2013 Mike Watson