artist: George Winston country of origin: USA style(s): Folk/ambient/solo piano essential releases: Summer (1991, Windham Hill) Forest (1994, Windham Hill)

Probably the best known of all the "new age" pianists, American George Winston has sold millions of records with very little media hype. His music has been described as impressionistic, folk, blues, jazz and any number of other terms. Winston himself prefers “folk piano”.
He was at the peak of his popularity in the early 1980's but Winston’s best albums actually come from much later in his recording career. Both Summer and Forest boast an inspired choice of covers: some well-known (“Corina, Corina”), others gleefully obscure (“Graceful Ghost” by jazz organist Larry Young). Personal, intimate and melodic, Winston’s thoughtful interpretations are interspersed with his own compositions and they provide a perfect foil for the non-original material. Minimalist composer Steve Reich is the inspiration for “Tamarack Pines”; it opens and closes with dampened keys that create a strange percussive effect ala John Cage, in between which he spins fast, repetitive motifs with both the right and left hands. This guy is no new age doodler.

On more than one occasion the self-effacing Winston has copped flak from the jazz police for his alleged approximations of leftfield jazz piano stylists like Keith Jarrett. But if he substitutes some discipline and economy for Jarrett’s long bouts of sentimental self-indulgence, then more power to him.

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