S

Sasha
artist

Johannes Schmoelling
artist

Ulrich Schnauss
artist

Erberhard Schoener
artist

Robert Schroeder
artist

Klaus Schulze
artist

Jonn Serrie
artist

SETI
artist

Rhian Sheehan
artist

Shinjuku Thief
artist

Shpongle
artist

Shulman
artist

Silent Records
label

Slow Dancing Society
artist

Slow Mo
series

Slowdisk
artist

Sola Rosa
artist

Solar Fields
artist

Solyaris
artist

Soma
artist

Sonic Adventure Project
artist

Sounds From The Ground
artist

Spacecraft
artist

Stars Of The Lid
artist

Michael Stearns
artist

Tim Story
artist

Morton Subotnick
artist

Yoshinari Sunahara
artist

David Sylvian
artist

A-Z INDEX

 

artist:
Slow Dancing Society
country of origin:
USA
style(s):
Lounge, ambient rock, neo-romantic, environmental

essential releases:
The Sound Of Lights When Dim (2006, Hidden Shoal)
Priest Lake circa '88 (2008, Hidden Shoal)
Under The Sodium Lights (2010, Hidden Shoal)

Slow Dancing Society is the one-man show of Washington-based composer Drew Sullivan. His sublime debut album The Sound Of Lights When Dim uses various combinations of piano, stately organ, synthetic tones, percussive clicks and especially electric guitar. It's very gentle, melodic and unabashedly romantic. The unusual intimacy of Sullivan's compositions is reflected in the wonderful track titles: "How Life Was Meant To Be Lived", "A Lonesome Sentiment" and so on. The repetitive minimalism of "A Song That Will Help You Remember To Forget" overlays multiple guitar motifs on a subtle bed of keys with such tenderness it may well bring a tear to your eye. It's sensual, addictive and, yes, best played when the lights are rather less than bright.

If The Sound of Lights When Dim has a spiritual cousin in Sullivan's oeuvre its his excellent fourth album Under The Sodium Lights. It's has similar intimacy and tonality and on one level could be seen a series of wordless love songs.

Also recommended - if you're feeling a little more adventurous - is his third release Priest Lake. It revels in romanticism but this time is focused on a sense of place rather than people. It's certainly different from the others, being much more landscaped and impressionistic and lacking the rhythmic pulses and clicks that often propelled the music of his debut. However unlike a disappointing companion album of landscape music that preceded it, Priest Lake remains tonal, warm and free of unnecessarily abrasive distortion. Sullivan clearly loves the swirling, vibrating sounds of a Hammond organ played through a Leslie speaker cabinet; it's this sound in combo with reverberating electric guitar that defines the release.

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